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March Greetings to all readers
The light at the end of the tunnel can be seen by most sake brewers in Japan for this year's brewing season. Sure, many have a ways to go, and a few will never stop. But most are gearing up to wind down.
As I did last month, this month I have included an article on recent happenings in the sake industry. Rumors, changes, developments and occurrences can be significant to those of us that enjoy sake, and I hope this small glimpse through a porthole into the sake world proves to be interesting. While I cannot be sure there will be enough happening to include such a collage each month, there were several topics worth of mention this time around. Please enjoy that new section.
Also, please note that the Sake Professional Course scheduled for San Francisco on April 3, 4 and 5 has checked in full. See more below and at the referenced links.
Please enjoy the newsletter, and keep up with your sake.
Regards,
John
Sake Confidential - Learn even more about sake!
Interested in sake? Pick up a copy of my book!
Sake Confidential is a beyond-the-basics guide to the sake world, and after a short introductory chapter on all things sake, it goes into depth on many topics not usually touched upon. It is a practical and concise yet complete guide to sake idiosyncrasies, misperceptions, and controversies presented in a conversational and informal tone. Easy to read and frank, it also includes sake recommendations tied into each of the topics presented.
Read a veritable cornucopia of reviews
here a New York Times brief mention
here, and order from your favorite bookseller
here as well.
Sake Today Issue #12 has shipped
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Sake Today issue #12 is just about to ship. If you are a subscirber you should have received it by now. If you are not yet subscribed, what are you waiting for? Now is the time to
subscribe!
This issue includes an article by Haruo Matsuzaki on Kumamoto, with a second article on what to enjoy in that region. There is also a feature on the sake scene - who brews it and where to drink it - in Toronto. Just what is nama, how is it different, and what are its variations? Find out in this issue of Sake Today.
We fill out the rest of this once-again stunning issue with food pairing suggestions, recipes, exceptional photography and attractive ads from our sponsors.
Subscriptions, single issues as well as packages (all back issues + subscription) are available from the website:
www.sake-today.com.
Please direct all inquiries about subcriptions to info@sake-today.com
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Sadistic Sake Fans
Suffering does not (always) equal better sake
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Sake sadists. They’re out there. You may be one of them. In truth, “sake romanticists” might be just as applicable a term, although it garners less attention. “Sake sadists” makes a better eye-grabbing headline.
To what does that refer? There are many people out there – inside Japan and out, Japanese and not, some that know their sake well and some that do not – that seem to like a sake better if they are led to believe that the brewing staff suffered more when brewing it.
Let’s sake that two glasses of sake were put before someone of this bent. And let us say that for the one on the right, he or she was told that, in order to make this level of quality, the koji was made in such a labor intensive way, and with so much more attention to detail, that the toji (master brewer) had to get up every 90 minutes to check on the moisture and temperature, every day for five months of the year. (Such sake exist!) And let us tell him or her that the one on the left was made using modern equipment that accomplished the same thing, without the koji-person needing to even get out of bed.
I can all but guarantee that if these two sake were placed before a sake sadist, he or she would like the one on the right. Deprival. Discomfort. Fatigue. Angst. These are sometimes mistakenly considered to be connected to craftsmanship and quality.
And in truth, sometimes they are. Very commonly the old ways do, in fact, lead to better sake. That is why they have been doing it that way for centuries upon centuries. But not always. Sometimes the ease and comfort that modern technology affords is, actually, just as good as the labor intensive ways, or even better.
Sometimes technology can in fact augment craftsmanship. Not replace it, mind you, but seriously augment it.
An example of this arose when visiting a brewery in Shimane (Ok, it was Rihaku) with a handful of visitors from the US. The president and toji-for-now was explaining how they made their koji. Let me preface this by saying that the company is now transitioning from having an old, experienced toji who could make do with a minimum of modern conveniences like thermometers and scales, and who still cranked out consistently great sake, to young staff that are far less experienced.
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He led a dozen of us into his koji-making room. Therein, steamed rice with a mold sprinkled on it would spend 48 hours or so of pampering and tweaking, permitting the mold to grow into the rice, giving off the enzymes that will liquefy the rice, and convert its starch to sugar. Koji making: the heart of the sake brewing process.
He tapped the thigh-high stainless steel table with the heel of his palm as he spoke. “This entire table sits on a scale. We can see the weight of the rice that sits upon it,” he explained as he pointed to a red LED display in the corner.
“Moisture content is everything in completed koji. It guides the mold, and also affects how fast things dissolve. And we know for each batch of koji precisely what we want that moisture content to be.
“And, because we know how much dry rice we started with, once we load it up here and weigh it we know what the moisture content is at that point. Naturally, that means we know how much moisture we need the rice to give up through evaporation.”
He continued, obviously pleased with his new toy.
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“By spreading the rice out over a larger and larger area of the table, we can create more surface area, and blow off less or more moisture, as needed. We adjust that moisture content during the first 24 hours of the koji-making process.”
He walked over to the corner of the table, and showed us what is basically a ruler along the edge of the table that indicates the distance from the edge. He then showed us a large, laminated card with a graph printed on it.
“Like I said, we know what we want the moisture to be when our koji is completed. And we know what the moisture content is when the rice comes into this room. So we know how much we need it to give off. And, finally, for a given thickness of the layer of rice sitting on this table, we know how much it will blow off, the speed at which it will dry out.
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“So by looking at this graph, we can see that if the rice on the table weighs X kilos, then we spread the rice out on the table as far as point Y. If that is done properly, the perfect amount of moisture will evaporate, and we will have perfect moisture in the rice as we go into the crucial second day of koji making.
“If we set it up this way, with just one experienced person in here, heck, even
you guys could make good sake.” This was immediately followed by a surely unintentionally condescending snort.
“But,” he continued, “consumers these days do not want to hear that. No one wants to hear how modern technology and clever ideas makes sake brewing easier. They want to hear how much effort and angst and hard work we had to do. They want to hear how we suffered to achieve that attention to detail.” He smiled wryly as he slowly shook his head.
“Somehow, people think that the more the brewer had to suffer, the better the sake. Of course, there are steps of the process in which that is close to true. But there are also plenty of clever tricks and modern tools that make sake that is just as good, with less effort.”
He then went on (and on) about how the old toji who had retired a few years ago made do with so much less. He was able to do much of his work without entire tables on scales or graphs. He was so experienced in his craft that he was able to do almost everything by observation, experience and intuition honed through years of dedication to his craft.
Surely there are still toji like that. But not many. As the industry changes, and the brewing staff at more and more kura change from old gnarly guys from the boonies to local youths enjoying a newfound passion, impossibly accurate intuition and modern tools will continue to coexist.
And it will therefore become increasingly important to rein in "sake sadism" and even “sake romanticism”. As long as it tastes and smells good to us, it matters not how it got there.
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Good News and Bad News
Recent stats in the sake world
We all like to talk about how rosy things are in the sake world these days. It continues to grow in popularity and consumption (with caveats as below) both in Japan and around the world. But if we look at some industry statistics, there are plenty of mixed signals.
For example: In a recent one-year period, a whopping 45 percent of all sake breweries did not make money. More correctly, though, they did not make money on selling sake alone. Often, family-owned brewing companies have other sources of income, like real estate or shops selling other products, or entire other business operations. As one brewer explained it to me, “our sake brewery is hundreds of years old, so even if it makes no money it functions as a calling-card, a marketing presence for our main business. People want to work with us because we are ‘that old sake-brewing family.’”
So while it is surely not optimal for any enterprise to be in the red, it does not mean that 45 percent are about to disappear.
Next, dig this: sake shipments last year were the lowest since 1955. This one shocked me, actually. Sake shipments peaked in 1973 and have been dropping ever since. But to have reached the lowest level in 61 years sounds heavy.
And it is heavy. But check out these facts too. One, futsuu-shu (non-premium sake) comprises about 65 percent of the market. And two, honjozo-shu (barely premium, but good, and actually just suffers from an image problem) is another ten percent. So between these two we have 75 percent of the market, and these two categories are the ones that are dropping. When 75 percent of the market drops at five to seven percent a year, overall numbers head south as well.
However, clearly premium sake, i.e. junmai and the four types of ginjo-shu, are all growing healthily. Very healthily, in fact, to the tune of six to thirteen percent a year. Naturally, the companies that focus on less expensive non premium sake are more concerned about this reality than those that focus on craft sake. The surge in public popularity of expressive and character-laden premium sake is palpable indeed.
I recently was chatting with a fairly large and traditional distributor in Tokyo about this current state of affairs. The numbers keep going down, I pointed out. “Surely you sell a ton of cheap sake as well as all this premium stuff here in this great shop of yours. Are those numbers not cause for concern?”
He waved that suggestion off with a slow, dismissing shake of the head and pursed lips. “Nah. Junmai-shu and the ginjo types are much more expensive, so the average price per unit is way up. Things continue to head in a positive direction for us,” he asserted. It is all a matter of perspective.
And then there are exports. It was recently reported that last year, sake exports grew yet again, setting a new record for the seventh year in a row. While just over three percent of sake is exported, that small market seems to be growing quite steadily at an average of about ten percent a year.
Finally, there was this positive piece of news. The number of active breweries actually grew last year by sixteen, to 1241. In my 24 years in this industry I have never seen the number of breweries actually increase. Of course, I could have just missed it, but to my recall each and every year they have been slowly dropping.
As usual, there is a bit more to the story. There are between 1600 and 1800 brewing licenses out there. Some belong places that do not brew but require license, such as bottling companies and some sake warehouses. So let us say 1700 or so.
And many of these that are actual breweries just ceased operations, yet held on to the hope they could start up again. This could be for any number of reasons, like gathering capital or waiting for the owner inherit to get a bit older, to just waiting for the market to bounce back. But for whatever reason, sixteen breweries restarted operations last year. This, to me, is very encouraging and positive. It made my day, in fact.
So things look good for sake in the years to come, even after wading through the quagmire of statistics that come out almost daily. Indeed, there has never been a better time to get into good sake.
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 Announcements and Events
Sake Professional Course in San Francisco
April 3-5 at The Bentley Reserve
No More Seats Available
Thanks to everyone's support for sake, the Sake Professional Course to be held in San Francisco April 3 to 5 is full. If you would like to be put on the waiting list, please send me an email to that purport. The next one will most likely be held in July. You can learn more about the course
here, see the daily syllabus
here,and download a pdf
here.
Testimonials from past graduates can be perused
here as well.
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Sake Education Council Website
Please take a moment to check out the website for the Sake Education Council, the organization behind the Certified Sake Professional and Advanced Sake Professional certifications. We plan to grow steadily, strongly and continually, and we will need the support of all those that love sake to do so. Follow us through the "usual suspects" of social media.
Don't forget the archives!
Older editions of this newsletter are archived
here.
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Sake Education Central
Sake's Hidden Stories and The Sake Notebook are now available for the Kindle, Nook and iBooks!
The Sake Notebook is now available for the
Kindle as well as the
Nook. And now, it is available for iBooks on
iTunes as well!
Sake's Hidden Stories too is now availabe on the
Kindle as well as the
Nook. And now, it is available for iBooks on
iTunes as well!
Both are
less expensive than their original pdf version too. Now is your chance to learn more about sake from your phone or tablet! Check 'em out!
Sake Dictionary App for the iPhone, iPod and iPad
"For 99 cents, this app ROCKS!!"
-a satisfied customer
There you are, perusing a menu, or standing in front of a shelf of great sake, or perhaps reading a sake newsletter… and up pops one of those hairy, pesky sake terms in Japanese. You know you have heard it many times, but dammit, you just cannot remember what it means now…
No problem! Just whip out your iPhone or iPod and fire up your trusty old version of
The Sake Dictionary. In a matter of seconds, you’ll be amongst the cognoscenti once again. But… if only you could pronounce it properly. Now that would really rock!
Done! Just tap on the term and you will hear a clear example of how to pronounce the term in Japanese. Repeat it a couple of times and the term is yours for eternity, to toss about and impress your mates.
What’s more, it’s
less!
Less than what it cost before, much less. Like less than one-seventh less. For a limited time only, the audio-enhanced version of The Sake Dictionary iPhone app is available for a mere $0.99.
The Sake Dictionary is a concise little package of all the terms you might ever come across when dealing with sake. Almost 200 of them - including sake grades, rice variety names, seasonal sake terms, special varieties, rare types, post-brewing processing words and the myriad terms used in sake production - many of which are not even familiar to the average Japanese person on the street - are listed up here with concise, useful and clear definitions and the written Japanese version as well. And now, with the new audio component, you can listen and learn just how to pronounce those terms properly.
Start to toss around Japanese sake terms like you were raised knowing them! Gain a level of familiarity hitherto unimaginable! Avoid frustrating paralysis when faced with a sake-related purchase!
Get your copy of The Sake Dictionary now and never be confused by sake terms - or how to pronounce them - again.
Get it here: http://itunes.com/apps/sakedictionary
(Note if you have already purchased it, this upgrade to the audio version is free. Just go to iTunes and get it!)
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Sincere apologies for the hassle, mixed with gratitude for reading this newsletter. |
I hope you have found the above information helpful and entertaining. For more information about all things sake, please check out
www.sake-world.com. Until next month, warm regards, and enjoy your sake.
Questions and comments should be directed to John Gauntner, at this
email address.
All material Copyright, John Gauntner & Sake World Inc.
Regards,
John Gauntner
Sake World, Inc.
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