How To Shoot "Split Second In Time" Photographs
Photographers: How To Take Perfectly Composed Grab Shots
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How To Shoot Great "Moment-In-Time" Pictures |
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, have you ever wondered how pro photographers
are able to consistently capture compositions that freeze
split-second happenings so perfectly?
Believe-it-or-not getting consistent "grab" shots like these is not all that difficult.
Here's the Trick: You set up a good compostion...in advance...where you leave a space for a predictable, quick-moving subject to appear in your "open" area.
You'll use this technique when you know that there's a good probability that your main subject will be filling the open space.
You wait for your opportunity & then snap your shutter. It's that easy!
Here are some examples of how it's done:
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Pre-Planning & Anticipation Are the Key
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Think in terms of the visual story you want to tell. Then, prepare your composition.
- Start by
presetting your camera’s ISO and white balance well before you begin your actual shoot.
- Think through whether you're going to have a fast-moving subject (needing a high shutter speed) or need wide depth-of-field (closed down f/stop) or both.
- Now, compose your picture, leaving a space in the composition where your main subject will appear.
- This works best when your subject's appearance is predictable.
Example:
Setting up this photo of my granddaughter, Sophia, on a zip-line at her camp was easy. I watched several other children as they came down to see where their "drop" ended. Then, I aimed my camera to capture that space when it was Sophia's turn.
I used a high ISO so that I could have a fast shutter speed to stop the action and still have enough depth-of-field so that my camera's quick autofocus would give me a sharp picture.
I took several shots on different zip line runs. This one was the best!
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Animals Are Very Predictable When They're Looking For Food
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Capturing Birds In Flight:
I lined up this picture of the bay in Marblehead, Massachussets as an aesthetic composition. It worked fairly well with just the bay and sky area.
But, I had a hunch that there was a good chance a seagull might just fly into the picture.
Why?
Because I was standing on a pier where freshly caught fish were being offloaded from a truck to my right for the restaurant on my left that owned the dock.
Sure enough, a seagull flew into the picture, perfectly filling my open space. I'm not sure if he planned on posing for me. But, that's what he did with his gaze firmly locked on a possible easy meal on the deck beside me.
Maybe I was just lucky.
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Bees On Flowers Are Easy Subjects:
A bee's job in life is to go from flower to flower collecting nectar. You can count on it!
If you're in a botanical garden all you need to do is to find a beautiful flower grouping with bees flying around.
Set up a nice composition containing a key flower or flower grouping.
Watch the bee land and wait. Snap your shutter when the bee's position is right.
The shot you'll get can be either the long one, emphasizing the flower grouping, or you can crop later for a dramatic close-up of the bee at work.
This approach will work well for butterflies, too. Just wait to snap your prize-winner. There's very little luck about it!
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Children At Play Are Perfect For Captured Moments In Time:
Look for a possible story-telling composition when you see children playing.
I spotted these kids frolicking under a water spray at Disney World in the late afternoon. I decided to take advantage of the backlighting with an under-exposed, partial sillhouette.
With moving children it's tough to catch the perfect moment. So, I just set up my composition and kept on firing away, figuring I'd go through the pictures later.
I had incorporated the black area on the left in my composition. My idea was either to use it as a framing element or crop it out in my print.
Then, I got totally lucky as another child ran into the picture in front of my black space. Her image added just the extra spontanaety the picture needed.
Yes, luck has something to do with getting good grab shots. But, you'll be amazed how often it will work in your favor!
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Here are the easy steps for Programmed Automatic shooting:
Step #1 - Set Your Camera' Rotator Dial to the Program (P) Mode
Step #2 - Select the Closest White Balance For the Light You're Shooting Under
- Cloudy or Daylight will work best for most outdoor shots and flash.
- Use Incandescent where you see reasonably correct color on your camera’s monitor under artificial lighting.
- Set to Auto White Balance (AWB) for stage lighting, gas or fluorescent lights.
Step #3 - Set Your ISO High Enough To Automatically Achieve Sharp Pictures
- Your Goal: The shutter speed your camera automatically chooses should be as fast or faster than the millimeter zoom setting of your lens.
Examples:
- If you're zoomed to 50mm you need at least 1/50th of a second for sharp images.
- For a 400mm zoom you'll ideally want a minimum 1/500th of a second exposure.
- If your shutter speed is too low for the zoom you're using you should raise the ISO setting so that your images
won't be blurred by camera movement.
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Is depth of field important? Consider using Aperture Priority rather than Program. Adjust your ISO at your chosen aperture so that you’ll have a fast enough shutter speed for sharp pictures.
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Are you taking action photos? For sports or dance...where you must have fast, motion-stopping shutter speeds ... you'll probably want to use Shutter Priority.
Step #4 - Take a Few Test Pictures To Be Sure of Your Settings
- View the photos on your camera's monitor, with the camera's settings and a histogram showing. Looking at the histogram and the brightness of the image will show you if your camera's auto exposure is correct.
- Zoom in on your test images to be sure they're sharp.
- Adjust your white balance or ISO as necessary and take a few more test shots if your images don't look sharp and properly exposed.
When You're Shooting...
- Most of the time this Program Shooting technique will give you sharp, well-exposed images. You'll just compose your pictures, snap your shutter and get perfect shots.
- But, scene content such as light or dark areas may fool your camera's exposure meter. If that happens ... and you get an under or overexposed picture...use the +/- exposure compensation or ISO setting on your camera to improve your exposures.
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In Our Lab...
We have the ability to correct all but the most extreme exposure or white balance settings...and we will make your pictures look as good as they can be.
Color correction is important to your print's quality. In our "good enough" era most other labs just don't provide this service. We do ... and that makes all the difference.
If you have any questions on this shooting technique ... or
any photo issue ... please call us at (800) 327-1776. We'll be glad to give you friendly advice.
I hope we can serve you soon!
Dale
CEO & Founder
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BestFilmDeveloping.com is our online ordering site. It simplifies the process of your mailing your film or single-use-cameras to us for developing, scans and optional prints.
- Once you place your online order we email you a postage-free mailing label. You just drop your film into any secure mailer or box to send your rolls to us.
- Scans are deliverered to you by email ... within a day of us receiving your film in our lab ... with a download link so you can store the files on your computer.
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Our promise to you: Pro quality, fair prices and photo services that will bring the joy back to your photography.
Dale Laboratories
2960 Simms St.
Hollywood, FL 33020
(800) 327-1776
info@dalelabs.com
www.dalelabs.com
Serving America's
Photographers Since 1973 |
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